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Complicated Memories

by Thomas Catlaw

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1.
2.
Dangerous decisions, Backed by complicated memories. Belie the ease of my decision And the clarity of what’s to come. All the tragedy, The savagery in indigo. Terrible heights, violent sights. Seething bodies in the pulsing light. Fourteen stories of indifference and quiet pain. All the tragedy, The savagery in indigo. Daybreak. Curtains inch their way across the ground. Nearly every soul is asleep. Make the way out of town. All the tragedy, The savagery in indigo.
3.
Urgency: A misdirected ghost. Haunting The empty halls of now. A flickering, a buzz, a chime. No time Or inner life of mine. More, more, more. Count it all and die. A flickering, a buzz, a chime.
4.
Another Sunday morning in a world all on fire. Clouds flee for shelter under Choking Tree. A yellow star is still the light that keeps us breathing. But now, it scalds and suffocates. Wading in the wide green water, It all feels less divine. Forever: On a timeline. Crowds: Transfixed by the end of days. Or, disenchanted, they will the world away. Captured by the Rapture, Quarantined in Instagram. Some things end, some things begin again. Will the river’s green endure When the singers are no more? I feel so big, I feel so small: Nightmares of the fall. Am I just in time or just too late? Some things end, some things begin again. Will the river’s green endure When the singers are no more? I dream so big, I dream so small: Nightmares of the fall. Am I just in time or just too late? Another Sunday morning in fiery Freedom Summer. The streets are our wide water, Our feet are marching hotter. Simple chants, enchanted dance. Love and hope demand: Is this our last chance? Some things end, some things begin again. Will the river’s green endure When the singers are no more? Some dreams live and some dreams die. Am I? Am I? Am I?
5.
All the buildings still stand; No roads or bridges are blown out. A small miracle of light comes When I flick a switch. Though the streets are not strewn with rubble, So many bodies are pulled from the wreckage. We are bloodied, we are gutted, Weeping through a fog of dust. The tragic shame, The mounting pain. No good comes from Adding loss to loss. After the bombs We rebuild the city. After the plague We have nothing but tomorrow. Weeping through the fog to tomorrow, Tomorrow, Nowhere but tomorrow.
6.
Postcard 05:52
Morning’s hope, Trapped beneath an evening’s frost. Sun’s radiant fingers Reach out across a yawn. The air is cold. The frost is tight. The melt’s pushed back to another time. Will you rest or will you fight? Does the sunlight kill you or give you life?
7.
Sandpiper 02:48
Imagine a sunset careening across the sea. Imagine your weary feet sliding up next to me. Mirrored glass—a mast shoots through. It rolls and tumbles like we used to do.
8.
Cold Shower 04:22
Why do cold showers remind me of you? It’s not that I held you there— Though I thought about it once. And it’s not in a memory of rain or fog or snow. Just a glance that passed between us, Or maybe I just dreamed it. And we didn’t find shelter off a lonely road. Or move to Brooklyn to sell our souls and We couldn’t pay the rent. Just a voice I overheard down the hallway, Decrying the heat: “To the cold, cold shower!” Maybe I saw her feet. Details are fuzzy But the memory’s set in stone. It’s the middle of the day and I’m sitting in a room alone. Surrounded by people Who have no names, have no faces. Wondering out loud if it will feel like this forever. Why do cold showers remind me of you? It’s not that I held you there— Though I thought about it once. And it’s not in a memory of rain or fog or snow. Just a glance that passed between us, Or maybe I just dreamed it. Maybe I just dreamed it.
9.
I am limited Now In what I can see. But worlds are opening up Inside me Like doors to rooms In an infinite house. I do not go Now Wherever I wanna go. But I never did and We never could. Things didn’t go Just like we’d hoped. In these quiet days, Heart aching days: I walk this infinite house. I meet people, I hear sounds. I hear stories, And I see forgotten places. I see beautiful things And I laugh. I see terrible things And I weep. I recover and lose Things upon things. One day becomes Its inverted image. Hallways that run forever Over icy seas of grey: In this infinite house. I am limited Now. And I meet the limits that are me. This infinite house is Mine, And I am an infinite explorer. But mostly it remains Unmapped, Unknown Even to me. Still, the walking is good. Seas don’t feel so cold: In this infinite, In my infinite house.
10.

about

 Written and recorded between November 2020 and June 2021, this collection of songs represents an effort to come to terms with personal loss and trauma amid historical and collective experience of the same. The songs express my own labor of remembering so that I might recover, articulate, and integrate shards of feeling and complicated memories.

Grappling earnestly with the past is unhinging and disorienting. And it can set us on an uncertain, open road—but one we need not travel alone. In the end, this labor—and so, too, this album—is a wager that the promise of healing and renewal tomorrow merits the sacrifice of today’s familiar injury. It is wager of hope and the commitment to continue.

Words and sounds are equals in this work. Musically, I draw inspiration from the lyricism, harmonies, and compositional range of artists like John Cale, Joni Mitchell, Brian Eno, Julia Holter, Leonard Cohen, Nick Cave, Belle & Sebastian, Weyes Blood, Tortoise, and Sufjan Stevens. The resources of minimalism and jazz are important parts of my tool box as well. Lyrically, the album is also in conversation with poets H.D., Marianne Moore, Ai, Wallace Stevens, Audre Lorde,  Elizabeth Bishop, and Dante. 

credits

released October 25, 2021

All words and sounds were composed, performed, produced, recorded, and mixed by Thomas in the Sonoran Desert on the ancestral lands of the O’Odham (known as the Pima), Piipaash (known as the Maricopa), and their ancestors.

Mastered at The Vault Mastering Studios
All Photos (Lotus Flowers) by Suzanne Fallender
Cover Design by Thomas Catlaw
Package Design and Layout by Groove House
Compact Disc Fabrication by Groove House
Distribution by CD Baby for Dialogic Music

© 2021 Thomas Catlaw/Dialogic Music All rights reserved

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Thomas Catlaw Tempe, Arizona

Thomas is a sound recordist, audio engineer, musician, and researcher living in Tempe, Arizona.

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